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Let That Day Be Darkness is loosely based on the Judeo-Christian story of Job, and witnesses a family faced with existential crisis in a chillingly desperate landscape. Centering around the family home, the photographs chart the psychological space of my family’s private inner world. As I’ve photographed our farmhouse, the surrounding lands and took portraits of myself and my family, I began to see our home as a canvas on which the various sectors of our consciousness were laid bare.
This series blurs the line between traditional documentary and the fictional, leveraging the illusion of photographic truth to allow the individual characters in the narrative to function as surrogates in mythmaking. The resulting fable is scaffolded by photographic strategies that reinforce the monumentality of the biblical origins inherent in the work. The series focuses on the frailty of human life, contrasted with the resilience of the land. Precise sequencing allows an open-ended narrative to crystalize. An amalgamation of portraits and rural landscapes tie the characters to the land, emphasizing the connection between place and its embedded religious history. These photographs act as a modern parable, an updated story of doubt for a modern audience.